Steps Youth Dance Company

‘Play The Game’ by Setefano Tele presents a paper cut-out ‘gibberish community infatuated with quiz shows. The work takes the packaged competitive tension that has fueled interest in quiz shows since the beginning of television and brings it to a dance context: There are questions, answers and above all , a parade of curiously compelling contestants.

”Never Mind The Snow’ by Felicity Bott plays with the media’s scaled-up representations of physical performance and space, and the highly contrasting reality of the individual alone with the daily details of living. Ultimately, capital soaked hype and insular banalitynotwithstanding, the dancers articulate edgelessness and ‘never mind the snow’.

Placement These two new dance works are arranged ‘tectonically’ in and around each other and are performed within a third work; the installation by Paul Wakelam. All aspects of the design for the show explore body, place and meaning. The dancers inhabit a floating suburban dream home and are suspended in home space, complete with all its encumbent meanings, movements and associations.

‘Play The Game’ by Setefano Tele presents a paper cut-out ‘gibberish community infatuated with quiz shows. The work takes the packaged competitive tension that has fueled interest in quiz shows since the beginning of television and brings it to a dance context: There are questions, answers and above all , a parade of curiously compelling contestants.

”Never Mind The Snow’ by Felicity Bott plays with the media’s scaled-up representations of physical performance and space, and the highly contrasting reality of the individual alone with the daily details of living. Ultimately, capital soaked hype and insular banalitynotwithstanding, the dancers articulate edgelessness and ‘never mind the snow’.

Placement These two new dance works are arranged ‘tectonically’ in and around each other and are performed within a third work; the installation by Paul Wakelam. All aspects of the design for the show explore body, place and meaning. The dancers inhabit a floating suburban dream home and are suspended in home space, complete with all its encumbent meanings, movements and associations.

EDGE TEST – Perth, WA/Armidale, NSW/Canberra, ACT. Collaborating with Artistic Director/Choreographer Felicity Bott, Choreographer Setefano Tele, Costumier Nicole Gradisen and Lighting Nicholas Higgins to create an installation and costumes for dance with 16 youth dance practitioners. The installation was designed to accommodate three different venues across Australia and to pack up with minimum travelling costs. Production Co-ordinator was Tanya Miles with Michael O’Obrien on sound.

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Great Southern Dance pays its respects to the original owners of the land upon which we work, the Muwinina and the Mumirimina people.

We acknowledge the Tasmanian Aboriginal Community as the continuing custodians of lutruwita (Tasmania) and honour Aboriginal Elders past and present. We value their history, culture and resilience and acknowledge that sovereignty has never been ceded.

lutruwita milaythina Pakana – Tasmania is Aboriginal Land